Just like Rory, this show has come on a long journey. Find out more about our snowy adventure below…
Training: Oxford School of Drama, First Class Hons Drama, University of East Anglia
Stage Credits: Lola in Lola (The Vaults), Cinderella in Cinderella: A Wicked Mother Of A Night Out (Not Too Tame Theatre), Beatrice in Foxing (Pint Sized), Rory in A Hundred Words For Snow (The Vaults), 1 in Flog (Camden People’s Theatre), Charlie in Roosting (Park Theatre), Kelly in Oil And Matter (The Bunker), Billie in Cousins (Soho Theatre), Heavenly in Spring Storm (The North Wall)
Film Credits: Elsa in Versions Of Us (Short Film, Lizzy Mansfield), Jess in Night Shift (Short Film, Dylan Brown)
Other Credits: Billie in The Noble Nine (Rehearsed Reading, NW Productions, Kelly in Oil And Matter (Rehearsed Reading, The Bunker)
Credits Whilst Training: Olivia in Twelfth Night, Carla in The Wasp, Miss Cooper in Separate Tables
Tatty Hennessy is an award winning playwright, and dramaturg. She is a graduate of the Royal Court Young Writer’s Programme. Previous work includes All That Lives (Ovalhouse), The Snow Queen (Theatre N16) and F Off (National Youth Theatre). This is her first published play.
Lucy Jane Atkinson is an award-winning theatre director, focused primarily on new writing. She has directed work by acclaimed playwrights Camilla Whitehill, John O’Donovan, Tristan Bernays, Isley Lynn, and Barry McStay, among others.
Her recent work includes directing A Hundred Words for Snow by Tatty Hennessy, Testament by Tristan Bernays, and Vespertilio by Barry McStay, all at VAULT Festival in London. Her work at the festival over the past two years led to her being named number one on The Stage’s list of talents to watch from VAULT 2018, stating “her direction is acutely sensitive to the shifting energy of the writing. Evident but never overbearing.”
Christianna Mason is a theatre designer and artist based in London. Originally from Northern Ireland she has an international background having grown up in Belgium. She trained at the Royal Academy of Dramatic Art, following a BA Hons in Drama and Theatre Studies, and a Foundation in Fine Art. Since graduating Christianna has worked in theatre, opera, drama schools, youth work, and installation art. She often draws on sculpture, art history and unusual textures for inspiration. Recent set and costume design credits include: Romeo and Juliet (Dynamo Theatre, Zurich), To Father a Nation (Rich Mix), Blood Wedding (Omnibus Theatre), Boatswain’s Mate (Arcola Theatre) and Always Right There (George Bernard Shaw Theatre).
MARK SUTCLIFFE | SOUND DESIGNER
Mark graduated from LAMDA’s Technical Theatre & Stage Management Fda course, where his sound designs included A Few Good Men, King John, Othello, Macbeth, Measure for Measure and Sweeney Todd.
His recent work includes sound design on Mary’s Babies (The Vaults, Old Red Lion), CAUSE (The Vaults), On Set with Viacom (Ambika P3), Testament (The Vaults), Where Do Little Birds Go? (The Old Red Lion), The Machine (Tristan Bates) and Resilience (UK Tour).
Production Sound Engineer on: Matilda the Musical (UK & Ireland Tour), The Girl From the North Country (Noël Coward), The Exorcist (Phoenix Theatre), Who’s Afraid of Virginia Woolf? (Harold Pinter) and Alice’s Adventures Underground (The Vaults).
Annie graduated from LAMDA’s Technical Theatre & Stage Management Fda course. She is the Laboratory Associate Sound Designer at Nuffield Southampton Theatre 2018/19 and an Associate Artist with Snapper Theatre company.
Lucy Adams is a London based lighting designer. She regularly collaborates with ThisEgg, having designed Goggles, Me and My Bee, UNCONDITIONAL and dressed. for the company. She’s also worked with BREACH Theatre on It’s True, It’s True, It’s True, Barrel Organ on Anyone’s Guess How We Got Here, YESYESNONO on [insert slogan here] and Haley McGee on Ex-Boyfriend Yard Sale. Her lighting design for new writing includes Tumulus by Christopher Adams directed by Matt Steinberg, Skin A Cat by Isley Lynn directed by Blythe Stewart and One Jewish Boy by Stephen Laughton directed by Sarah Meadows.
Rebecca is a freelance theatre producer. She runs RJG Productions and is co-director of Old Sole Theatre Company.
Current work includes: A Hundred Words for Snow (Trafalgar Studios, UK Tour & VAULT Festival), Anna X (VAULT Festival) and Research & Development of Scum (Park Theatre).
Previous work includes: Misfire (Cardiff Fringe & Ventnor Fringe), Precisionism (Sligo, Ireland & The Hope Theatre), What Goes on in Front of Closed Doors (Pleasance Courtyard & UK Tour), Finders Keepers for Hot Coals Theatre Ensemble (ZOO), Headways Festival (The Albany, Deptford) and Glockenspiel (Tristan Bates Theatre).
BRYONY BYRNE | STAGE MANAGER
Bryony Byrne is a freelance stage manager working in the UK and abroad. She’s worked with the award-winning Wardrobe Ensemble (Education, Education, Education) and on the world’s longest-running live comedy show, NewsRevue. Other work includes Rachel (Trestle Theatre), Derailed (Little Soldier Productions) and Our Country by the experimental LA-based company, Wilderness. She also works with individual artists such as comedian Alison Thea-Skot (BBC Culture Show) and Hugh McCann (resident artist at Kaleider). Prior to her stage management work, she produced and wrote a feature comedy film, Akela, which was awarded Best Screenplay at the Vancouver Golden Panda Film Festival. She also performs regularly with improv group, Night Bus, at the Free Association in London.
MADISON CLARE | GRAPHIC DESIGN